Gerechtigkeit findet nicht nur zwischen Zeitgenossen statt - auch das Handeln früher lebender Menschen kann Ansprüche und Pflichten gegenwärtig und zukünftig lebender Menschen begründen. Der Autor entwickelt die Theorie einer historischen Gerechtigkeit auf der Basis der Pflichten zwischen den Generationen. Pluspunkte: Darstellung eines zentralen Themas aktueller politischer, ethischer und gesellschaftlicher Debatten Diskussionsgrundlage für Philosophen, Politikwissenschftler sowie interessierte Laien zeigt praktizierbare Lösungsansätze auf.

In this paper non-normal worlds semantics is presented as a basic, general, and unifying approach to epistemic logic. The semantical framework of non-normal worlds is compared to the model theories of several logics for knowledge and belief that were recently developed in Artificial Intelligence (AI). It is shown that every model for implicit and explicit belief (Levesque), for awareness, general awareness, and local reasoning (Fagin and Halpern), and for awareness and principles (van der Hoek and Meyer) induces a non-normal (...) worlds model validating precisely the same formulas (of the language in question). (shrink)

Die Verfahrenlehre als Wegweiser für die Wissenschaften und die Kultur, von W, Heinrich. -- Zur Logik der Unbestimmtheitsbeziehungen, von A., Meyer-Abich. -- Wandlungen des Kantbildes, von M. Wundt. -- Die romantische Soziallehre im Weltbild der Gegenwart, von J. Baxa. -- Organische Wirtschaftsgestaltung? Von W. A. Jöhr. -- über die Rechtsnatur des Völkerrechtes, von J. Lob. -- Der Leistungsgedanke in der Betriebswirtschaftslehre, von K. Oberparleiter. -- Das Problem der Ganzheit im Verfahren der Rechts-und Wirtschaftsgeschichte, von R. Stanka. -- Motives (...) of economic planning, von T. Surányi-Unger. -- Die soziale Frage als Quelle der Wandlungen in der Wirtschaftstheorie in der Wirtschaftstheorie der Gegenwart, von F. A. Westphalen. -- Die geschichtliche Stellung des Kunstwerks, von G. Egger. -- Gemeinschaft und kultische Ordnung, von O. Höfler. -- Vom Ursprung der Sprache, von H. Machold. -- Die Bedeutung des ganzheitlichen Denkens für die Kunstgeschichte, von H. Riehl. -- Das Problem des Schönen. von W. Troll. -- Ganzheit und Gestalt in der Psychologie, von A. Wellek. -- Die Blüte als polare Ganzheit, von H. André. -- Ganzheitliches Denken in der Medizin, von O. Kaufmann. -- Die Bedeutung von Othmar Spann's "Kategorienlehr" für die Biologie und Medizin, von A. Müller. -- Ganzheitliches Denken und Wirken im Agrarwesen, von E. Rudroff. -- über Symmetrie und Schönheit, von K. L. und H. C. Wolf. (shrink)

Informational conceptions of logic are barely novel. We find them in the work of John Corcoran, in several papers on substructural and constructive logics by Heinrich Wansing, and in the interpretation of the Routley-Meyer semantics for relevant logics in terms of Barwises and Perrys theory of situations. Allo & Mares [2] present an informational account of logical consequence that is based on the content-nonexpantion platitude, but that also relies on a double inversion of the standard direction of explanation (...) (in- formation doesnt depend on a prior notion of meaning, but is used to naturalize meaning, and informational content is not defined relative to a pre-existing logical space, but that space is constructed relative to the level of abstraction at which information is assessed). In this paper I focus directly on one of the main ideas introduced in that paper, namely the contrast between logical discrimination and deductive strength, and use this contrast to (1) illustrate a number of open problems for an informational conception of logical consequence, (2) review its connection with the dynamic turn in logic, and (3) situate it relative to the research agenda of the philosophy of information. (shrink)

Although Schmitt never answered Strauss publicly, in the third edition of his book he changed a number of passages in response to Strauss’s criticisms.

Wichtige Aspekte der Spinoza-Rezeption sind lange Zeit im Hintergrund geblieben. Spinoza galt seit dem öffentlich gemachten Bekenntnis des Aufklärers Lessing zum Hen kai Pan als Vertreter einer Substanzenontologie für Atheisten. Friedrich Heinrich Jacobi war es, der 1785 und 1789 eine breite Debatte um Pantheismus, Atheismus, letztbegründende Prinzipien der Metaphysik, ferner um Freiheit und Notwendigkeit auslöste. Spinozas Trieb- und Affektenlehre blieb in der Forschung weitgehend unbeachtet. Weniger lautstark als im ausgehenden 18. Jahrhundert, aber durchaus wirksam, ist Spinoza im 20. und (...) 21. Jahrhundert durch Denker wie Gilles Deleuze oder den Neurologen Antonio Damasio erneut in den Fokus der Aufmerksamkeit geraten. Diesmal ist es Spinozas vormals wenig beachtete Affektenlehre, die für Theorien vom ganzen, nicht bloß vom einseitig rationalen Menschen Interesse weckte. Galt das Interesse der Aufklärung der Rationalität des Denkens, die gegen Aberglauben und Irreführungen der Vernunft ins Recht zu setzen war, so wenden sich das 20. und das 21. Jahrhundert der Entdeckung der Intelligenz und Rationalität der Gefühle zu – zuerst in der Psychologie, bald auch in der Philosophie. Der Band nimmt das neue Interesse an Spinoza zum Anlass zu untersuchen, ob und inwieweit im Deutschen Idealismus, in der Romantik und im 19. Jahrhundert bis heute der andere Spinoza, der Spinoza einer bemerkenswerten Trieb- und Affektenlehre sowie des amor Dei intellectualis, wahrgenommen wurde. Die Beiträge zu Spinoza selbst, zu Jacobi, Kant, Fichte, Schelling, Hegel, Hardenberg/Novalis, Friedrich Schlegel, Schleiermacher, schließlich zu Nietzsche, Freud, Sartre, Lacan, Deleuze zeigen, dass dieser andere Spinoza durchaus in der einen oder anderen Weise gesehen wurde. Mit Beiträgen von Karl Ameriks, Andreas Arndt, Ulrich Barth, Wolfgang Bartuschat, Arno Böhler, Konrad Cramer, Bärbel Frischmann, Patrizia Giampieri-Deutsch, Ulrike Kadi, Thomas Kisser, Jane Kneller, Konrad P. Liessmann, Elizabeth Millán, Ursula Renz, Helma Riefenthaler, Violetta L. Waibel, Reiner Wiehl und Jure Zovko. (shrink)

Intensional logic has emerged, since the 1960' s, as a powerful theoretical and practical tool in such diverse disciplines as computer science, artificial intelligence, linguistics, philosophy and even the foundations of mathematics. The present volume is a collection of carefully chosen papers, giving the reader a taste of the frontline state of research in intensional logics today. Most papers are representative of new ideas and/or new research themes. The collection would benefit the researcher as well as the student. This book (...) is a most welcome addition to our series. The Editors CONTENTS PREFACE IX JOHAN VAN BENTHEM AND NATASHA ALECHINA Modal Quantification over Structured Domains PATRICK BLACKBURN AND WILFRIED MEYER-VIOL Modal Logic and Model-Theoretic Syntax 29 RUY J. G. B. DE QUEIROZ AND DOV M. GABBAY The Functional Interpretation of Modal Necessity 61 VLADIMIR V. RYBAKOV Logics of Schemes for First-Order Theories and Poly-Modal Propositional Logic 93 JERRY SELIGMAN The Logic of Correct Description 107 DIMITER VAKARELOV Modal Logics of Arrows 137 HEINRICH WANSING A Full-Circle Theorem for Simple Tense Logic 173 MICHAEL ZAKHARYASCHEV Canonical Formulas for Modal and Superintuitionistic Logics: A Short Outline 195 EDWARD N. ZALTA 249 The Modal Object Calculus and its Interpretation NAME INDEX 281 SUBJECT INDEX 285 PREFACE Intensional logic has many faces. In this preface we identify some prominent ones without aiming at completeness. (shrink)

The book sets out to determine political philosophy as a philosophic concept and to test it face to face with the challenge posed by revealed Religion.

Zum Verhältnis von bürgerlicher und proletarischer Revolution bei Marx und Engels.--Primat der Ökonomie?--Die "neue Linke" und der Faschismus.

In lieu of an abstract, here is a brief excerpt of the content:Leonhart Fuchs on the Importance of PicturesSachiko KusukawaIf not for the attractive plant with overhanging flute-like flowers that was named after him, Leonhart Fuchs (1501–66) is best known today as one of the pioneers of accurate representations of plants in histories of scientific illustrations.1 The pictures in Fuchs’s Remarkable Commentaries on the History of Plants (1542) have been appreciated usually for their “naturalistic” features (i.e., pictures drawn from observing (...) a plant specimen), as well as for their tendency to discard individual blemishes and portray a universal or ideal “type” of a plant where several varieties of species could be incorporated into one bush, or where various stages of the same plant may be depicted in one figure.2 On the other hand no historian of botany who has examined the text these pictures accompanied has found that such qualities as observation from nature or a sense of “ideal type” contributed to Fuchs’s theoretical understanding of [End Page 403] plants: he lacked any sense of the family genera or Linnean classification, for he had simply adopted an alphabetical ordering.3Fuchs himself considered his pictures remarkable—as he was at pains to point out—and he believed his pictures were absolutely crucial for his commentary on plants. My immediate aim in this paper, therefore, is to offer an interpretation of Fuchs’s Remarkable Commentaries on the History of Plants which does not split the work into artistically positive and botanically negative elements. As I shall argue, the uniqueness and so the controversial nature of Fuchs’s enterprise lies in the kind of argument and procedure he believed to be valid for an academic study of plants. More generally, I hope to use this reassessment of Fuchs’s work to show how pictures could be as controversial as texts and how the uses of texts and pictures together form past acts which require historical explanation. Click for larger view View full resolutionFigure 1.The Artists. Leonhart Fuchs, De historia stirpium, 1542, verso of last folio page. Reproduced by permission of the Syndics of Cambridge University Library.In 1542 Fuchs published his Remarkable Commentaries on the History of Plants Belaboured with Great Expense and Vigilance with More than Five Hundred Live Images of Plants Attached. It begins with a picture of Fuchs, the author, at the age of forty-one and ends with that of the artists (fig. 1). Although the division of labor depicted here seems to have been a standard one for printing illustrated books in this period,4 it is unusual that we know their names. Albrecht Meyer did the drawings from life, Heinrich Füllmaurer transferred the drawings to woodblocks, and Veit Rudolf Speckle cut those woodblocks.5 Fuchs was proud of one of the artists in particular: “the woodcutter [sculptor] Veit Rudolf Speckle, by far the best in Strasbourg, excellently imitated the admirable industry of painters: he has so skilfully expressed the outlines of each picture by carving [sculpendo] that he seems to compete with the painter for glory and victory.”6 A comparison between the painter and the sculptor had been a favorite topic in the Renaissance genre of paragone—Leonardo da Vinci, Galileo, Castiglione, and Michaelangelo composed treatises on it—where the [End Page 404] relative merits of various mimetic arts were discussed.7 Fuchs’s comment on Speckle is more nuanced, however, than a polite competition between the arts over their mimetic skills: Fuchs announces that Speckle is worthy of praise in producing a picture—normally the domain of the painter (pictor)—with the specialized skill of carving of the cutter (sculptor). This is surely an appreciation of the particular skill involved in producing replicable pictures for printed books, just as Erasmus had, a generation earlier, acknowledged in Albrecht Dürer’s prowess at engraving the potential for reproducibility in a print culture.8 Indeed, of the artists involved in printing, it was the woodcutter who could expect to be paid most in this period—nearly fifteen times more than the artist who originally drew the pictures.9 Click for larger view View full resolutionFigure 2.Atriplex. Theodore Dorsten, Botanicon, 1540, fol. 35r. Reproduced... (shrink)